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This article appears courtesy of
Rev
Magazine.
In the Stillness
by Dan Kimball
The church parking lot was so packed that we had to
leave our rental car on a patch of trampled grass beside
the sanctuary. It was 9:30 p.m., and Compline was just
about to start. We’d heard that this service was
drawing in lots of younger people, and we wanted to
see for ourselves what dynamic speaker or hot new worship
team was causing such a stir.
The church was very old and gothic, and we pulled open
heavy wooden doors to find about 250 people of all ages
gathered inside. No cushioned theater seating here—just
hard metal folding chairs. Several people sat on the
cold concrete and stone floor. No PowerPoint or video
clips captured our attention, and no drama sketch presented
the evening’s theme. Instead, the stained glass
and architecture of the building spoke of God’s
transcendence and holiness. No Delirious? or Matt Redman
songs launched us into worship. The entire service consisted
of about five or six cantors dressed in robes, singing
softly from the front.
As I looked around, I could see that the crowd was mainly
college students and teenagers. But when silence fell
between songs, I could hear no restless teenager chatting
in the back row. Instead, people closed their eyes and
sat still. There was no rush, no hurried announcements,
no clever transitions carefully thought through by the
programming team. On the contrary, the experience was
rather slow, silent, and contemplative. No teaching,
no preaching, no how to’s. Just quiet worship.
As we spilled out into the dark night with the rest
of the crowd, I felt that maybe something was happening
here with the emerging culture, and we should take note.
We put so much effort into designing contemporary church
services that are peppy, upbeat, and cued down to the
minute, but I’d just seen a large group of young
people drawn to something quite the opposite. Perhaps
we should consider that there’s a rising longing
to seek God in the simplicity and stillness of a meditative
church experience.
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